SMU, MFA 2020
Unseen work, an exercise of emotional control, is central to my investigation as an artist, worker and art handler. These notions of invisibility and visibility become the materials from which I develop drawings, installations, performances and videos. In the series Weaving, I draw on black-and-white photographs I took on a trip to Guatemala, where I went to observe and learned from Trama Textiles, a community of weavers.
A Daimler Company
