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Jaspal Birdi

Process of Elimination Series (4/21)

From top to bottom: 23h00m37s; 22h53m16s; 22h51m00s; 22h51m44s, 2010, Oil and photo-transfer on board, 11.25"w x 4.75" (each)

“Theater takes place all the time, wherever one is. And art simply facilitates persuading one this case.” — John Cage

As a kid, I used to believe people were living inside my television set. How else could Mr. Dress-up appear through the tube? If only I was allowed to break the glass barrier between Sesame Street and my living room, I could have enjoyed mouthfuls of cookies. Despite my fantasy of jumping through a “looking glass,” I soon learned that was not the reality. My television was old, and it began to show some glitch-like symptoms, automatically changing channels and distorting colors and figures. Today, with interaction increasingly being lived through a screen as visually crisp and informative as in real time and space, I feel privileged to have grown up witnessing flaws in technology. Between the progression of motion-sensitive technology to convincing computer-generated effects in film, for some, the distinction between illusion and reality may be harder to make. This begins my process of eliminating the difference between a window and screen through paint. A glitch is a flaw in a system that disrupts digital information on a screen. Paint is a tactile substance capable of creating convincing illusions on a surface. Starting with a panel, sized relative to a widescreen film format, I photo-transfer parts of glitch-infested screen shots from movies. Collaging only portions of the image, I restore the rest of the scene with paint. Playing with paint’s loose, chromatic and thin qualities versus the rigid, photo realistic and thin screen shots, I create a contrasting dialogue questioning what is real.

 

Jaspal Birdi - Process of Elimination Series (4/21)

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A Daimler Company

Due to the building guidelines that are in place in response to the COVID-19 situation, we are unable to install a new art exhibit in 2020 in our Farmington Hills, Michigan and Fort Worth, Texas offices.

Thankfully, the majority of artists who currently have their work on display in our Michigan and Texas locations have graciously allowed us to continue to do so for another year, through the spring of 2021. We would like to extend a huge thank you to those artists and we look forward to continuing with a new exhibition in the summer of 2021.