fake fur, cone yarn, dye, 2014, variable dimensions
My compulsion to burn and dye fibers reflects a need to transform material into something that is in conflict with itself. A skin that betrays itself, that is damaged, bruised and blossoming. Estranged from its original and pure form, I feel that this material displays a kind of inverse pollination, one that art historian Hans Sedlmayr might describe as “…(searching) for the smooth, the rigid and the dead, not for the form created by a true organic life, but for the form imposed from the outside, for the formal and ceremonial as such.” In more precise terms, a material that implodes from the tensions of artifice and nature, synthetic and natural fibers, and the healthy and the diseased.
A Daimler Company
Due to the building guidelines that are in place in response to the COVID-19 situation, we are unable to install a new art exhibit in our Farmington Hills, Michigan and Fort Worth, Texas offices.
Thankfully, the majority of artists who currently have their work on display in our Michigan and Texas locations have graciously allowed us to continue to do so through the spring of 2021. We would like to extend a huge thank you to those artists and we look forward to continuing with a new exhibition in the summer of 2021.