My recent work examines the horizon line as a visual phenomenon that acts as an external referent. Spatial experience is unavoidably temporary because our assimilation of it changes with every moment and movement. Simultaneously, it is something from which we seek constant feedback: We determine our physical and, often, mental location in reference to it. […]
My recent work examines the horizon line as a visual phenomenon that acts as an external referent. Spatial experience is unavoidably temporary because our assimilation of it changes with every moment and movement. Simultaneously, it is something from which we seek constant feedback: We determine our physical and, often, mental location in reference to it. […]
My recent work examines the horizon line as a visual phenomenon that acts as an external referent. Spatial experience is unavoidably temporary because our assimilation of it changes with every moment and movement. Simultaneously, it is something from which we seek constant feedback: We determine our physical and, often, mental location in reference to it. […]
My recent work examines the horizon line as a visual phenomenon that acts as an external referent. Spatial experience is unavoidably temporary because our assimilation of it changes with every moment and movement. Simultaneously, it is something from which we seek constant feedback: We determine our physical and, often, mental location in reference to it. […]
This work is driven to seek tacit evidence that can help to uncover new perspectives on society, nature, technology and their intertwined or embrangled states. Just as generations of deer tread the same paths through the forest to their chosen feeding grounds, humankind alters the environment through its activities. My practice uses alternative materials and […]
This work is driven to seek tacit evidence that can help to uncover new perspectives on society, nature, technology and their intertwined or embrangled states. Just as generations of deer tread the same paths through the forest to their chosen feeding grounds, humankind alters the environment through its activities. My practice uses alternative materials and […]
A vessel can be described as a hollow container, but I refer to its second definition: “a person, especially regarded as holding or embodying a particular quality.” When I painted Vessel, I was painting a quality that gives me richness of life and feeds my artwork: emotional sensitivity. Intuition and deep understanding in my relationships […]
I make and reference food not only to survive but to feed our desire. Working in a wide range of media and methods, the line between my studio and kitchen is extremely blurred. With my work I am stimulating all of my guests’ senses. I experiment with their expectations of flavors, textures, presentation, and even […]
A Daimler Company
