Mercedes-Benz Financial Services

William Connally

Grace

2011, Archival inkjet print scanned from film, 40"w x 30"h

This portrait is part of a series that shows characters in transitional states. It winds from Alan Welter’s workshop and adhesives factory in 1961, to contemporary times with Hollis Wolfram’s aquatic re-emergence from Lake Elster. The objects in the photographs allude to stories and act as symbols for characters who are physically absent from the images. The inclusion of flat, stage-like, painted elements heightens the fictional nature of the narrative and questions the dimension of believability in the images.

 

William Connally - Grace

1 Comment

  1. Hortensia Fulcrum says:
    January 18th, 2013 at 5:54 pm

    I like what this young artist is up to; it’s dynamic. He should keep on working.

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Due to the building guidelines that are in place in response to the COVID-19 situation, we are unable to install a new art exhibit in our Farmington Hills, Michigan and Fort Worth, Texas offices.

Thankfully, the majority of artists who currently have their work on display in our Michigan and Texas locations have graciously allowed us to continue to do so through the spring of 2021. We would like to extend a huge thank you to those artists and we look forward to continuing with a new exhibition in the summer of 2021.