2008, White ground, aquatint, 40"w x 26"h
My work grows from the relationship between petroleum and the pervasive poverty seen in my country of origin, Venezuela. Two contrasting, yet interdependent worlds live and breathe simultaneously, sharing a symbiotic relationship. While endless possibilities underline the life of scant middle/upper classes, the poor cram in strikingly overlooked, ignored, and feared slums, which house eighty-five percent of the population. Poverty is palpable throughout the urban landscape, even though Venezuela sits on the largest oil reserve of the western hemisphere. I push these notions as an unfortunate remainder of the misery that has only deepened in the last decade. My work attempts to re-create the idea of the urban landscape in a series of fragile, unsteady structures that respond in a chaotic way to the city’s uneven topography.
Asphalt and tarpaper become eloquent vehicles to create images and forms that convey painful truths of my homeland. I also work with etchings and aquatints as well as oils underlined by watercolors.
Indifference is not an option. I feel compelled to raise awareness on this important, yet profoundly overlooked issue, through research and exploration of paintings that exude a hard reality of my homeland—a society threatened by current socio-political instability, framed by the fiasco of the current socialist revolution.
A Daimler Company
Due to the building guidelines that are in place in response to the COVID-19 situation, we are unable to install a new art exhibit in 2020 in our Farmington Hills, Michigan and Fort Worth, Texas offices.
Thankfully, the majority of artists who currently have their work on display in our Michigan and Texas locations have graciously allowed us to continue to do so for another year, through the spring of 2021. We would like to extend a huge thank you to those artists and we look forward to continuing with a new exhibition in the summer of 2021.