2010, Pencil on paper, 26"w x 40"h
My current body of work explores the reconciliation of disparate objects through the unification of hybrid constructions. In my studio process I begin by collecting discarded and found objects and materials — to name a few: a sofa armrest, studio refuse, and flotsam from the Mediterranean ocean. Formal similarities are realized in this collection of objects, motivating large-scale constructions that are either inspired by or constructed from the collected objects.
The initial construction of my sculptures is rough as I subtract and add components; the seams and joints that bind the materials together are obvious and crude. It is through processes of painting, plastering and sanding that the forms become unified into a singular entity. The final sculpture is presented as an organic whole; the viewer is perhaps unaware of the working process that synthesized seemingly disparate objects into a resolved composition. The initial structure of my sculptures is camouflaged beneath bright colors of paint and often finished to a smooth surface.
My sculptures are directly related to the human body in scale, providing, theoretically, a space that a body could fit within. I am interested in exploring the physical relationship that exists between sculpture, the viewer and the space they both simultaneously inhabit.
A Daimler Company
Due to the building guidelines that are in place in response to the COVID-19 situation, we are unable to install a new art exhibit in our Farmington Hills, Michigan and Fort Worth, Texas offices.
Thankfully, the majority of artists who currently have their work on display in our Michigan and Texas locations have graciously allowed us to continue to do so through the spring of 2021. We would like to extend a huge thank you to those artists and we look forward to continuing with a new exhibition in the summer of 2021.